men

Millennial Love in 100 Words

Mark Mathias Love, maturity, men, Relationships

Boy meets girl.

Attraction. Desire.

Boy and girl bang.

Fantasy. Projection.

More banging.

Time passes.

Boy and girl move in together.

Merge lives. Share expenses.

His stuff. Her stuff.

Time passes.

Their stuff.

Happiness. Contentment.

Time passes.

Normalcy. Reality.

Less banging.

Time passes.

Expectations. Limitations.

Time passes.

Demands. Accountability.

Time passes.

Disenchantment. Resentment.

Time passes.

Boy meets other girl

or

Girl meets other boy.

Attraction. Desire.

Fantasy. Projection.

Betrayal.

Time passes.

Lies. Secrets.

Time passes.

Evidence.

 Pain.

Disintegration. Separation.

Time passes.

Boy meets girl

or

Girl meets boy.

Etcetera, etcetera. . .

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Bring Back Masculine Etiquette

Mark Mathias Change, Discipline, Life transition, manners, maturity, men, Relationships , , , , , ,

The following is an edited, updated version of this website’s blog “The Man From Snowy River”, originally posted as a featured article on the Good Men Project website (http://goodmenproject.com/featured-content/bring-back-masculine-etiquette-shfr/) on April 25, 2016.

I’m still in high school when my father leaves to begin a new life with a different woman, and I suddenly find myself in a house with a hurt, angry mother, an older sister who sympathizes with her, and a younger sister who understands as little about this whole mess as I do. My home life in 1970 becomes the world of women, where baseball gloves collect dust on closet shelves and grounded male energies simply do not exist. Dad passes away nine years later from a heart issue just as our reconciliation is getting underway, and I take to wandering my existence without a map or a guidebook, in search of what to do with my fatherless life.

Twelve years pass. I’ve become a SNAG – a “Sensitive New Age Guy” – a soulful, health-conscious musician who feels things deeply and is oh-so-much-more comfortable in the presence of women. I know nothing about home ownership, hard work, or planning for the future; I know quite a lot about backpacking, writing in journals, and making the best of whatever life happens to be serving up on any given day.

There is no adult male in my life I feel admiration for.

Then, near the end of 1982, along comes The Man From Snowy River, a movie about a young man, Jim, learning to find his way in the world after the accidental death of his excellent father. Raised in the mountainous Snowy River range of Australia in the late 1800’s, his skill set and abilities come from having lived and worked close to the earth. He comes down from the mountains in search of a job, and his efforts to prove himself to be a dependable hard-working lad on a cattle rancher’s farm sets him on a character-building path where he must address issues of manhood and masculinity, keeping one’s word, standing up to bullies, doing what’s right, and not giving up in the face of hardship or discomfort. I don’t know it at the time, but this will become the most-watched movie in my life.

It took several viewings of this movie before it dawned on me just how little time I’d spent in the company of adult males since the loss of my own father, that I too had abilities and talents in need of recognition, cultivation, and a direction to point them. I too wanted my worth and mettle witnessed and blessed by not just older men but men of strength and character, men I could admire and look up to. But I was to never meet such men in the vacuum of the self-isolating life I’d created — a life of journal writing, quiet hikes in nature and part-time jobs working alongside pretty girls. With nothing hard to push against and no one asking more of me than I was comfortable giving, why should it surprise me that I became a passive, sensitive man, feeling distrust and unease in the company of strong-willed, confident men?

With every viewing of this movie I became more intrigued with the depiction of solid, earthy, uncomplicated men working together and relating to one another, especially the way young Jim conducts himself as he goes about his new duties at his new job. Everything asked of him is done well, done thoroughly, and without complaint. He knows his place; he knows to show respect to the men in leadership positions because those men are tough but fair, communicating with such unambiguous clarity they could not possibly be misunderstood.

I was the same age as Jim– twenty-seven – when I first saw this movie. Yeah, yeah, he gets the girl in the end but that’s not what got my attention. What interested me was young Jim’s masculine etiquette: doing what was asked of him with dignity, determination, and accountability. In time he earns the respect of the older men by having respect for himself, speaking his truth and standing firm in his beliefs when push comes to shove. In my own life I gradually became aware of how often I took the least-restrictive, least-confrontational path at every opportunity, choosing cruise control over self-control, accepting the life I had instead of making an effort to create the life I might want.

My VHS copy of the movie was good and worn before my attention turned to noticing Jim’s level of comfort and self-confidence in the presence of harder, older men; by the time a DVD version was in my hands I’d already attended my first-ever all-day men’s event, led by some poet guy named Robert Bly and his mythologist friend Michael Meade, whose yearly men’s retreats would change my life forever. The unexamined father wound I carried for so many years turns out to have been exactly the right kind of irritating grit that helped form the pearl-like quality of my adult life. I did not enjoy putting an end to my toxic, dysfunctional marriage, but I’m certainly enjoying the loving reconciliation taking place between myself and my twenty-two-year-old daughter who is soon to graduate college.

The Man From Snowy River introduced me to “masculine etiquette”, depicting too many small moments of honor, respect and character-building to name. To this day, with every viewing, I feel nourished in some way. The excellent life I now lead arose from the ashes of difficult-but-necessary life changes I feared to make for many years, but once I aligned myself with fictional and non-fictional men of good character, the best of what I saw in them called up the best in me.

Growing Up Is Hard To Do

Mark Mathias Change, Discipline, Life transition, maturity, men, Relationships , , , , ,

I have no business describing myself as a mature adult. The adult part is true enough, but the mature thing, well . . . there’s more honesty in saying maturity is a part-time thing with me. I can be reliable, accountable and responsible when I should or need to be, but if you take me with you when you go shopping I will wander off and go exploring if I’m not on a leash. I watch movies when I should be doing my taxes; if there’s an offshore flow I’ll go to the beach instead of going to work. I’d rather take a bath than a quick shower, popcorn can be dinner, and I will get really, really mad if I’m telling the truth but you don’t believe me.

But neither do I fill egg shells with red paint and throw them out of a moving car on the freeway at night anymore; I was ten the last time I did that. And I no longer steal cassette tapes by slipping them in my socks while pretending to tie my shoe; I gave that up in my early twenties, within seconds of being caught for the first time.

With me, becoming a grownup – a mature adult – took some getting used to. It wasn’t that I avoided growing up. . .  I just wanted to spend my life doing whatever I wanted, whenever I felt like it. That particular brand of immaturity and naïveté had a time-release quality to it, entering my system during my high school years after my parents divorced, spreading through my system with subtle effect until I graduated, then kicking in, full-strength, with one phone call, at the end of my first and only year at a Boston college of music:

“Hi mom; instead of coming straight home, is it okay if I fly to Nebraska and drive back to the Bay Area with my girlfriend?”

The pause on the other end was short. . .

“You don’t have to ask me for permission anymore. You’re eighteen years old; you can do whatever you want.”

Boom.

After hanging up the pay phone in my dormitory hallway I zombie-walked to the elevator . . .  rode it to the lobby . . . walked outside onto Massachusetts Avenue, and emerged into a completely different world than the one I’d been born into.

The grownup move would have been to work through the summer and return to Berklee College of Music in the fall with some living expense money in my pocket. But I was an eighteen year-old nature-loving male, in full possession of the keys to the rest of my life and a brand new pair of eyes: when school let out I flew to Nebraska, drove and camped my way from North Platte to Fremont across the Continental Divide and through the deserts of the Southwest, feeling as though that spectacular half-a-million square mile area had been given to me.

I never returned to Berklee, but I did grow up enough to get a full-time job, work my up from busboy to head-cook-in-training, and afford an apartment of my own. That was right about the time my dad passed away, another piece of life-changing news involving my mother and a very short phone conversation. My vision of a career in the restaurant business blurred after that; six months later I was making my living as a drummer, heeding the excellent advice from my dad in his last letter to me.

Along with four years’ worth of a successful music career came the weed and the women, which softened me up pretty good. I was well into my thirties, music now a part-time hobby, before becoming conscious of how uncomfortable I was in the company of mature men, or even just guys – dudes who like to have a few beers and talk about guy shit like cars, sports, or women. I began that bit of growing up the night I spotted, from a distance, one of my part-time band mates leaning against the bar during a break at a gig, bottle of beer in one hand, talking as casually as you please to some leather-skinned old guy wearing a grimy cowboy hat – a local, old-school, real-deal rancher, stopping in for a beer and a bit of country music at the end of his dusty, earthy work day.

I felt a combination of admiration and envy watching my band mate casually and comfortably mining life-on-the-farm stories from the old rancher. It made me aware of how reserved and intimidated I typically felt in the presence of anyone with a stronger handshake and more testosterone than me. From that moment on I began making an effort to knock off being such a weenie when it came to hanging out with dudes and, lo and behold, within a few short years of behaving like a regular guy, I got comfortable as could be chatting up anyone with a story they were willing to tell

And, lastly, I’ve grown up noticing how my definition of love changes as the years go by. What I thought love was when in my teens turned out to be way wrong when I hit my twenties, and though by my early thirties I’d learned quite a bit more, it didn’t make me smart enough to see that the majority of my relationships had been based more on mutual use and convenience than love. Sharing rent and living expenses with girlfriends just made it easier to avoid having to work harder and/or longer so I could afford a place of my own. It was shameful and emasculating the way I dragged that habit behind me like a filthy security blanket, from one relationship to the next, up to and including my dysfunctional marriage. By the end of the inevitable divorce my definition of love had taken on an odor of cynicism; I decided it was better to be single, happy, and lonely sometimes than married, lonely, and happy sometimes, a perspective I’ve found to be equal parts truth and poignancy, yet serving me quite well.

Life and love are doing just fine these days, thankyouverymuch. I’ll say more about them later, maybe in a book. Until then, I have a lot of growing up to do.

It Depends On How I Feel: Reflections on Being a Moody Man

Mark Mathias Discipline, Love, manners, maturity, men, Relationships , , , , , , ,

This story was first published as a featured article on the Good Men Project website (http://goodmenproject.com/author/mark-mathias/) April 29, 2016

 

I am, as Lisa so eloquently expresses it to her girlfriends when I’m not around, “one moody motherfucker”.

 I once left her place on a Sunday night after a happy chatty weekend together, went to work Monday morning feeling inexplicably dark  and unsociable, and refused to answer my phone for a couple of days. Why? I dunno; I didn’t feel like it. At times like that my phone can get downright constipated with voice and text messages from her, which I may or may not pay attention to — depending on my mood.

I’ll snap out of it eventually, after which I’ll have some explaining to do, but only after I’ve gotten an earful from her about how she went from patient-but-confused to what-the-fuck? somewhere around the end of day two of not hearing from me. I’ll want to know what the big deal is; she’ll explain exactly what the big deal is, and only after a lengthy conversation about needs and expectations do things settle down enough for our typically groovy kind of love to start flowing again.

When wanting to understand what’s behind a mood swing I’ll sometimes pull a Tarot card, toss coins for an I Ching reading or — depending on my mood — just withdraw from the world without giving notice and indulge in the mood; drop into it without trying to understand or analyze it, in the privacy of my home, just to see where it will take me. Mine is not, by the way, the “off-his-meds” version of mood swinging; mine is the “too-much-in-his-head” version, where I’m prone to unconsciously bum myself out with whatever self-defeating  judgmental story I’ve concocted in my head, a story which may or may not even be true. Typically, though, a series of quickie, dark micro-thoughts have come and gone over a period of several days but under my emotional radar, until I wake up one rainy weekday morning and cancel out on work so I can stay home and write in my journal all day. For example:

Not long ago Lisa and I are having a lovely Tuesday evening at a gig where I play drums with my favorite pro-level music buddies, all of whom fawn over Lisa’s irresistible combination of hotness, humor, and genuine appreciation of musical talent. The band pulls off a ninety-minute concert-level performance and an hour later we are all sitting together in a nearby diner, having a late night meal and recapping the highlights of the gig. Everyone is chatty, happy, and optimistic. Great show, great friends. Then, finally, hugs and warm goodbyes before everyone drives off for home . . . in a good mood.

The next day, Wednesday, Lisa and I spontaneously spend a rainy day at my place: morning tea and coffee, nutritious breakfast, good conversation, movies, popcorn, more rain, blankets and snuggling, red wine, excellent dinner, another movie, more rain as we suck on milk chocolate chips for dessert. We fade, we doze, and we go to bed, capping a fine, fine day.

Thursday morning, because of my weird four-to-six hour sleep cycle, I’m up and about at four-thirty, setting the kitchen table for my cherished tea-and-journal ritual of sitting in deep, pre-dawn quiet to write. More rain is predicted, putting my remodel business on hold for another day and allowing me to sink long and deep into a blissfully quiet writing session. Not wanting to wake Lisa, I forego my customary routine of having dreamy acoustic guitar music playing softly in the background on a favorite Pandora station.

I settle in. Everything is awesome . . .

Ten minutes later Lisa appears, squinting in the light, drawing my heavy bathrobe tighter around her to ward off the chill. After saying our good mornings she sets about grinding coffee beans and gathering everything required to prepare, doctor, and consume a nice, fresh cup of coffee — at four forty-five in the goddam morning, an ungodly hour for anyone but me to be up and about on a rainy mid-week day.

It will be nearly twenty-four hours before I’m able to put my finger on why this morning will be inversely disproportionate, in all of its passive-aggressive ways, to the fun and lovely previous morning. I am not aware, for example, of my slowly-growing irritation at having to stop writing and concoct an answer to a question she has just asked me, nor do I realize that I’m only pretending to listen to her comments about Rick Steves’ excellent tips and advice about traveling in Italy, which she is reading aloud from her Kindle between slurpy sips of coffee.

Her need is to chat, to communicate, with me, right now, at five in the morning, my morning.  She’s excited about our upcoming trip and is clearly enjoying her coffee-and-travel-tips moment. This goes on for twenty minutes until I give up, close my journal, and get up to make us some breakfast.

From this point on, for these last few hours of our morning together, I will grow increasingly quiet and only partially interested in whatever she has to say or wants to talk about. When sitting across from her I’ll make an effort to look at her when she’s speaking, otherwise I’ll be gazing at my hands, tugging distractedly at my hair, or looking off to my right at the empty space between myself and a microwave oven in the far corner of the kitchen.

When the topic shifts from our Italy trip to preparing for an upcoming book talk, I’m good for ten minutes-worth of actually contributing to the conversation, but by minute eleven I’m feeling maxed out by the pressure of my hours-old, yet-to-be-understood irritation. Book talks are an important topic, but my pretending to care is a poor choice of coping strategies; we draw the topic to a close when it begins to dawn on her that maybe what I really mean by repeatedly answering with “sounds good” or “sounds great” is: please stop talking!

At some point she moves to get dressed as I begin to tidy up. She returns to the living room and plops down in the corner of a Mission style loveseat where I can see her from the kitchen. When I glance over at her I see in her face something I’ve rarely seen in the thirty-four years I’ve known her. I’m sure others have seen it – the ex-husbands, the misbehaving son, the hardhearted sister – but not me, not when we are together do I see what I’m seeing now . . .

She is unhappy. She’s staring straight ahead at what I know to be nothing, with a look on her face that tells me something is most definitely up, something is bothering her, something is wrong.  Still clueless, I feel compelled to ask:

“What’s wrong?”

She snaps out of her blank stare, quickly throwing a fake smile on her face.

“What? I’m—what? Nothing! I’m fine! Why?”

I study her for a moment, debating whether to play along and pretend to believe her or give her another chance at telling the truth.

“You look upset.”

A denial and a false excuse later, I let it go. We move on, neither one of us admitting that I am the problem; I am the cause of this effect. From the moment she began grinding coffee beans I’ve grown increasingly quiet, increasingly irritated, and increasingly indifferent to whatever has been interesting or important to her . . .  but I don’t know why.  I’m in a mood, you see, and it is my style to be in it long before I understand it, a behavior commonly associated with having been born with a penis.

By now the only truth I’m willing to admit to myself is that I want her to go home; I want to be alone in my own place, to try and recapture some of the rainy day tea-and-journal thing I was so looking forward to. Instead of mentioning this in some mature, sensitive way hours earlier, I’ve grown increasingly moody. As the air between us grows heavy and dull with unspoken truths, undeclared feelings and unmet needs, I continue putting on an air of patience and false contentment until, finally, going home becomes her idea. I walk her to her car, both of us wholly dissatisfied with the way the morning has turned out.

Before she gets behind the wheel I know I need to do something to reassure her that, in spite of the funky, atypical morning we’ve just spent together, I haven’t forgotten our night at the upbeat gig, the joy of sharing a meal with dear friends, and the lovely, spontaneous pleasures of yesterday. Before she drives off I want her to know that I care, that she matters, that I’m sorry for the shitty morning.

I pull her to me and kiss her — long, deep, and hard.

We step back from the kiss, smiling weak smiles at one another. She climbs into her car, and drives away.

The Man From Snowy River

Mark Mathias Change, Discipline, manners, maturity, men
Tom Burlinson
Tom Burlinson

The Man From Snowy River is a movie that came out in 1982. I remember seeing it for the first time on a rainy autumn afternoon when I was twenty-seven, a year older than the main character in the movie, played by Canadian-born actor Tom Burlinson. This is also the movie I’ve seen more than any other – somewhere between twenty and thirty times.

The movie takes place in the Australian outback in the 1880’s and tells the story of how young Jim Craig learns to be a man after the accidental death of his excellent father. Jim’s mother had passed away long before, and he is suddenly left alone to fend for himself in the mountains of the Snowy River range. Times are hard, which makes for hard men: before Jim can begin building a life of his own on his father’s property the local mountain men declare that Jim must move to the low country and “earn the right to live up here, like your father did!”

Jim finds work on a wealthy rancher’s cattle farm, working alongside other men, some of them total assholes. His  efforts to prove himself to be a dependable hard-working lad sets him on a character-building path where he must address issues of manhood and masculinity, keeping one’s word, the earning and showing of respect, standing up to bullies, doing what’s right, and not giving up in the face of hardship or discomfort. Things get messy when Jim ignores his instincts about right and wrong and accepts a suggestion from the rancher’s beautiful daughter on how to score some points with her dad, setting in motion a chain of events that will lead to the lives of others being put at risk – all because a boy was trying to impress a girl.

The movie takes place in the 1880’s but the relationship dynamics depicted in this film are timeless. In particular, there’s a recurring theme that touches me every time: respect. I don’t know if the writers did it intentionally, but with every viewing of this movie I’m attracted to the way in which men in leadership roles are respected, a detail that shows up in both dialogue and behavior. The keeping of one’s word and standing up for one’s beliefs and convictions while possessing enough common sense to consider the viewpoints of one’s elders – the showing of respect – are beautifully represented.

These moments are easy to spot since, in my experience, there’s very little of this kind of behavior going on anymore. So many of today’s young men are utterly bankrupt of any male grounding, which is to be expected in a modern culture where solid, respect-worthy male leadership is rarely modeled. This, I believe, is primarily due to an epidemic of fatherless – or abusive father – upbringings. It’s no wonder there’s such a clusterfuck of manscaped apathetic pussies and over-compensating assholes crashing into one another in their effort to extract maximum reward or pleasure from life by way of minimum input and questionable values. Any man, of any age, who is unconscious or in denial of his father wound stands a high probability of landing in one of two camps: the domesticated male who prefers the comfort and guidance of a strong-willed woman, or the over-compensating alpha male who likes to dominate and control through intimidation and insensitivity. Which brings me back to The Man From Snowy River. . .

I’ve been coming back to this movie for over thirty years, in large part because of its honest and inspiring depiction of solid, uncomplicated men relating to one another. Young Jim’s gradual transformation from misunderstood outsider to respected equal is a core theme in this movie, and with each viewing I notice that specific scenes or moments will have an impact on me depending on how I’ve been showing up in my own life.

Over and over again, throughout this movie, Jim Craig finds himself having to make choices that will directly impact the direction and quality of his life. There are too many small moments of honor, respect and character-building in this movie to name, so I invite you to watch it and discover them for yourself. Pay particular attention to those details in the story that touch you, grab you, or speak to you: these details will serve as clues as to where you are in your own life.